Elevation

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Written by Grayson Erhard, Ryan Wagner, and Ryan Bannigan

Audio production by Chris Beeble at the Blasting Room
Filmed by Javier Sepulveda
Edited by Rob Spradling at RTDIII Productions

Categories: Music, Singles

LYRICS

Elevation

Can’t find any tracks or a beaten path
Our breath is all but gone, but we’re hanging on

I don’t care how far we’ve come
I don’t feel the sun
The smoke is exhaled
But I don’t feel any higher

I’ve come to know it’s hard to find
A grip on the correct direction
Gotta see, need to believe,
We’re headed straight for elevation

Ropes got us in knots testin what we got
We’ll cut any ties; no compromise

Our clothes are lookin like rags and our eyes are bagged
The vultures circle above but we’re just getting started

I’ve come to know it’s hard to find
A grip on the correct direction
Gotta see, need to believe,
We’re headed straight for elevation

Higher ground lead my way
Up above yesterday
Shadows cast until it’s done
Broken clouds expose the sun

I’ve come to know it’s hard to find
A grip on the correct direction
Gotta see, need to believe,
We’re headed straight for elevation

Can’t find any tracks or a beaten path
Our breath is all but gone, but we’re hanging on

I don’t care how far we’ve come
I don’t feel the sun
The smoke is exhaled
But I don’t feel any higher

I’ve come to know it’s hard to find
A grip on the correct direction
Gotta see, need to believe,
We’re headed straight for elevation

Ropes got us in knots testin what we got
We’ll cut any ties; no compromise

Our clothes are lookin like rags and our eyes are bagged
The vultures circle above but we’re just getting started

I’ve come to know it’s hard to find
A grip on the correct direction
Gotta see, need to believe,
We’re headed straight for elevation

Higher ground lead my way
Up above yesterday
Shadows cast until it’s done
Broken clouds expose the sun

I’ve come to know it’s hard to find
A grip on the correct direction
Gotta see, need to believe,
We’re headed straight for elevation

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About

Hailing from Del Norte, Colo., Grayson Erhard’s style leans heavily on the technically complex tap-slap style of percussive guitar often paired with moving, airy vocals. Erhard often feels the pull between performing as a musicians’ musician and the hook writing world of pop, creating a sound that weaves between complement and contrast. This unique tension, combined with Erhard’s experience sharing the stage with Stevie Wonder, has led to Erhard’s viral success and a sound that both complements and contrasts his various styles.

Songs like “Manifest” and “Tapestry” showcase Erhard’s ability to stand on his own, organically, and represent beacons of the kind of musician Erhard strives to be.

While he daylights as a computer programmer, Erhard’s music showcases his authentic, organic style, honed since his childhood in the southern Colorado town of Del Norte—a rural community of 1,800 people on the western edge of the San Luis Valley. More commonly known as “The Valley,” it’s a section of Colorado hot with alien observatories and cosmic undertones. Here, in isolation, Erhard ground out a sound that is entirely his own, but this small town was no place to pursue a music career or develop his budding interest in programming, driving him to the Front Range.

However, after moving to northern Colorado, he quickly experienced culture shock. The oversaturation of fake news, politicking and the constant distraction of this new environment drove him to the extent that he needed to write music relentlessly. Hence his standout piece, “Manifest”, was born, a cultural narrative that laments our dependence on social media and its propensity to overwhelm our lives. “Manifest / your world is your reflection,” Erhard sings in its video, surrounded by televisions and computers that flicker with images of then-president Barack Obama, Kim Kardashian and infomercial detritus. Written in part to assail the internet, Erhard’s song was championed by it. In November 2016, “Manifest” shot to nearly 1 million views from Facebook and YouTube in its first week, with an appearance on Reddit’s front page.

Recently following the viral success of “Manifest”, Erhard was finishing an abbreviated cover of Stevie Wonder’s “Superstition” to a small audience at a music trade show called NAMM (National Association of Music Merchants) when Wonder himself approached the stage. Baffled, Erhard apologized to him for not knowing the lyrics to the second and third verse.

The rest is viral history.

“I’ll teach you the words you don’t know,” Wonder said, and over Erhard’s knotty guitar playing, the two launched into an impromptu duet. The crowd grew exponentially and proceeded to watch through their phones. The next day, Erhard was in Rolling Stone, taking calls from Good Morning America and appearing on major television networks all across the globe. The media attention from that second strike of viral lightning allowed Erhard to resign from his day job to pursue music full time.

Ironically, with the help of his computer programming background, Erhard has been able to capitalize on the importance of social media by building a web presence and community around his music, pushing his message of authenticity via the channels that challenge it. Erhard’s newest collection of music, EARTHSHIP, came to life inside of a Taos, NM earthship with co-writer, Bannigrin. The songs span from folk rock to hard rock and feature a style of guitar playing that’s never been placed in those genres before, percussive fingerstyle. EARTHSHIP consists of five full-band tracks; and in honor of the fans that have been with him from the start, a stripped-down acoustic version of each song will accompany the release.

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