Grayson Erhard

Adept / Adapt EP – Tabs / Sheet Music Bundle

$20.00

Contains Guitar Pro tablature files and PDF sheet music to each song in Grayson Erhard’s debut EP, “Adept / Adapt.”

  1. Ate
  2. Tapestry
  3. Ears, Eyes and Hands
  4. A Few Pages Through (Another Chapter)
  5. Bygones
  6. San Luis

 

SKU: adept-adapt-tablature-bundle Categories: , , ,

LYRICS

TAPESTRY

Explain why I believe
These walls are made of glass
Cast, with the colors that we’ve claimed
And the ideas that we’ve stained

Does time blind you and I
Or do we just ignore the signs
A natural rhythm
A climax that never climbs
A constant euphoria that never intensifies

There is still hope without conformity
A blooming flower on a dying tree

Another color in the tapestry
Another shade in this catastrophe
Regrettably, I watch as some hear in a deaf way
Such a shame, intelligence thrown away

What is truly entertaining?
Because we seem to be refraining.
We like to ignore complexity,
Left to bleed in a shark tank of mediocrity.

But there is still hope without conformity
A blooming flower on a dying tree

Another color in the tapestry
Another shade in this catastrophe
Regrettably, I watch as some hear in a deaf way
Such a shame, intelligence thrown away

EARS, EYES, AND HANDS

Contained.
A place so rusted with sustain.

Curtains won’t close all the way
Keeping blinding light at bay.
Stuck, never wanting to stay.

Incomparable and terrible.
Ranking has always been parable.

In our weathered, weary minds
I’d rather listen to noises outside than confide

An unimaginative adjective
To unreal obliviousness
Existing in the majority of us.

Planning. . . when will now be?
Trying to keep it for a second,
Always looking ahead and behind.

Time some have finally found,
Rewinding to hear the sweet sounds
Surrounding ears, eyes, and hands
That were bound.

A FEW PAGES THROUGH (ANOTHER CHAPTER)

Good god, another chapter
Get the thought out of my mind
Good god, another chapter
Get the thought out of my mind

I’m so sick of you
Quilting through my songs
I guarantee this will be the last

You can’t just keep me to defend
You’re too confused so I separate to mend

Such a beautiful waste of time
A bittersweet taste of a climb

Good god, another chapter
Get the thought out of my mind
Good god, another chapter
Get the thought out of my mind

I learned to toss away all of my jealousy,
Because you were too good.
If I can’t impress you,
Or caress you the way you want,
Then don’t string along,
Don’t string along.

BYGONES

Vintage thoughts still in our heads;
Morals from a book over-read.

Drinking from an emptied bottle
Unaware of the alternative business model.

The fake water tastes so real. . .
So addicted to artificial zeal.
More and more, until modern pages are drenched
And inked away like foul memories

By the dawn these bygones
Need to be inked away

The fake water tastes so real. . .
So addicted to artificial zeal.
More and more, until modern pages are drenched
And inked away like foul memories

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About

Hailing from Del Norte, Colo., Grayson Erhard’s style leans heavily on the technically complex tap-slap style of percussive guitar often paired with moving, airy vocals. Erhard often feels the pull between performing as a musicians’ musician and the hook writing world of pop, creating a sound that weaves between complement and contrast. This unique tension, combined with Erhard’s experience sharing the stage with Stevie Wonder, has led to Erhard’s viral success and a sound that both complements and contrasts his various styles.

Songs like “Manifest” and “Tapestry” showcase Erhard’s ability to stand on his own, organically, and represent beacons of the kind of musician Erhard strives to be.

While he daylights as a computer programmer, Erhard’s music showcases his authentic, organic style, honed since his childhood in the southern Colorado town of Del Norte—a rural community of 1,800 people on the western edge of the San Luis Valley. More commonly known as “The Valley,” it’s a section of Colorado hot with alien observatories and cosmic undertones. Here, in isolation, Erhard ground out a sound that is entirely his own, but this small town was no place to pursue a music career or develop his budding interest in programming, driving him to the Front Range.

However, after moving to northern Colorado, he quickly experienced culture shock. The oversaturation of fake news, politicking and the constant distraction of this new environment drove him to the extent that he needed to write music relentlessly. Hence his standout piece, “Manifest”, was born, a cultural narrative that laments our dependence on social media and its propensity to overwhelm our lives. “Manifest / your world is your reflection,” Erhard sings in its video, surrounded by televisions and computers that flicker with images of then-president Barack Obama, Kim Kardashian and infomercial detritus. Written in part to assail the internet, Erhard’s song was championed by it. In November 2016, “Manifest” shot to nearly 1 million views from Facebook and YouTube in its first week, with an appearance on Reddit’s front page.

Recently following the viral success of “Manifest”, Erhard was finishing an abbreviated cover of Stevie Wonder’s “Superstition” to a small audience at a music trade show called NAMM (National Association of Music Merchants) when Wonder himself approached the stage. Baffled, Erhard apologized to him for not knowing the lyrics to the second and third verse.

The rest is viral history.

“I’ll teach you the words you don’t know,” Wonder said, and over Erhard’s knotty guitar playing, the two launched into an impromptu duet. The crowd grew exponentially and proceeded to watch through their phones. The next day, Erhard was in Rolling Stone, taking calls from Good Morning America and appearing on major television networks all across the globe. The media attention from that second strike of viral lightning allowed Erhard to resign from his day job to pursue music full time.

Ironically, with the help of his computer programming background, Erhard has been able to capitalize on the importance of social media by building a web presence and community around his music, pushing his message of authenticity via the channels that challenge it. Erhard’s newest collection of music, EARTHSHIP, came to life inside of a Taos, NM earthship with co-writer, Bannigrin. The songs span from folk rock to hard rock and feature a style of guitar playing that’s never been placed in those genres before, percussive fingerstyle. EARTHSHIP consists of five full-band tracks; and in honor of the fans that have been with him from the start, a stripped-down acoustic version of each song will accompany the release.

 

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